Oru vadakkan selfie movie
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#Oru vadakkan selfie movie movie
The biggest thumbs up for the movie is its knock-out team. It’s her little tryst with something mysterious that the boys (Umesh and Shaji) find themselves entangled in, and which they try to unfold, aided by Jack Tracker (Vineeth Sreenivasan), a private detective (Suddenly, titles like Nancy Drew and the curious case of someone/something missing comes to mind). And then lands Daisy (Manjima Mohan), right at the neighbouring doorstep. The first half moves along these slightly predictable lines and a predilection for humour, with the main protagonist seemingly directionless.
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(He does a blink-and-stare act at Kim Ki-duk's Moebius, flirting with the idea of a remake, before commenting it hardly makes sense!)
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Friends Shaji (Aju Varghese) and Thankamma aka Thankaprasad (Neeraj Madhav) encourage him to make a short film he swiftly decides on it by the imaginary powers vested in him by the movies of Gautham Vasudeva Menon, and other Korean flicks that are easily 'translatable'. Betrothed to the 42 supplementary papers that he has to write up to be an engineer, he tries to wriggle out of the situation by claiming to be interested in cinema. The prodigal son of a stringent father (Vijayaraghavan), who has the mother always batting on his side. Umesh (Nivin Pauly), is a wilder version of Vinod from Thattathin Marayathu' (Written and directed by Vineeth Sreenivasan). Remember those movies from the early 90s, where the typical boy gang of Malayalam cinema (read Mukesh and co.) would send you into convulsing fits of laughter during the first half, and then in the second half would be staring in the face of a more serious state of affairs? Vineeth Sreenivasan's story endeavours to get just there.